America’s Border Guards Are Watching The Artists

THE New York Times tells us about Ramak Fazel, an American-Iranian artist living in Italy.

His mission was to photograph each of the nation’s 50 state capitol buildings and dispatch a postcard from each city, using postage stamps from a childhood collection. Each postcard would be mailed to the next state on his journey, where he would pick it up, continuing until he had gone full circle back to Indiana.

But:

But there was a problem. On a flight from Sacramento, Calif., to Honolulu, Mr. Fazel described his project to a fellow passenger. He later discovered that she had reported him as suspicious — perhaps to the pilot or the Transportation Security Administration — and taken a picture of him as he slept.

Maybe it was because he was vaguely foreign looking, he reasoned, and his photographic endeavor seemed menacing in a post-9/11 landscape. He also had a three-day growth of beard, he recalled. And, although Mr. Fazel grew up mostly in the United States and is an American citizen, there was his Iranian name.

In his view that woman’s report began a chain reaction, turning him into a person of interest for officials from local law enforcement agencies on up to the F.B.I. On a stop in Annapolis, Md., for example, he was interrogated about his activities and read his Miranda rights. Today, he said, his name lingers on what he thinks of simply as the “the list.” (He doesn’t know where it originated or who controls it.) He believes it has prevented him from receiving a visa to India and caused him be questioned at the border of Poland, both of which he had visited in the past. He said he has been interrogated the last four times he has entered the United States.

Paranoia at work, or just safety first? And isn’t everyone grilled and insulted by the obnoxious US security drones?

Fancy being Jackson Pollock? A game for artists 

Anorak

Posted: 22nd, January 2008 | In: Anorak In New York, War On Terror Comments (2) | Follow the Comments on our RSS feed: RSS 2.0 | TrackBack | Permalink