Includes cinema reviews and trailers for upcoming films. A digest of the best and worst interviews on movies and cinema.
Stoney Emshwiller was 18 when he recorded himself filming his older self. Now age 56, Stoney completes the wheel by replying to his younger self’s questions. His film is called Later That Same Life.
It ‘s the time travel talkshow:
We only read Playboy for the articles (which since Hugh ‘Housecoat’ Hefner’s throbbing organ swore off naked women is truer than ever), and we only watch vintage skin flicks for the music. French music producer Drixxxe has made compilation tapes of ‘70s softcore pornographic films. Called Sextape (natch.) you can tune in to them all on Flashbak.
Today is the day when Martin McFly, star of the Back to the Future film, arrives when he travels to the future? USA Today shares the joke:
John Waters agrees: we all (as Brendan O’Neill puts it) have a duty to offend:
Gutterdämmerung looks fantastic. Here’s the pitch:
The film is set in a world where God has saved the world from sin by taking from mankind the Devil’s ‘Grail of Sin’…..the Evil Guitar. The Earth has now turned into a puritan world where there is no room for sex, drugs or rock ‘n’ roll.
From up on high in heaven a “punk-angel”, Vicious (portrayed by Iggy Pop), looks upon the world with weary bored eyes. Behind God’s back, Vicious sends the Devil’s guitar back to earth and sin in all its forms returns to mankind.
An evil puritan priest (Henry Rollins) manipulates a naive girl to retrieve the guitar and destroy it. On her quest to find the Devil’s Grail Of Sin, the girl is forced to face the world’s most evil rock and roll bastards. Throughout her journey, she has a rival in the form of a rock chick determined to stop her from destroying the instrument.
Is Legend, the big screen biopic about black-and-white British gangsters the Kray Twins, any good? Benjamin Lee answers that question in his review for The Guardian. He says:
It’s a disappointingly shallow take on a fascinating period of time and leaves us sorely uninformed, as if we’ve skim-read a pamphlet. The legend might live on but Legend certainly won’t.
He gave it just two stars from a possible five. The film’s marketing team saw it and slapped it on the official posters.
…in a stroke of brazen genius, the marketing department tasked with selling the shoddy true crime tale decided to embrace the mediocrity of my review and found a devious solution. Note: focus between the ears.
Stellar work from Canal Plus.
Who didn’t go to Tower Records?
Established in 1960, Tower Records was once a retail powerhouse with two hundred stores, in thirty countries, on five continents. From humble beginnings in a small-town drugstore, Tower Records eventually became the heart and soul of the music world, and a powerful force in the music industry. In 1999, Tower Records made $1 billion. In 2006, the company filed for bankruptcy. What went wrong? Everyone thinks they know what killed Tower Records: The Internet. But thats not the story. All Things Must Pass is a feature documentary film examining this iconic companys explosive trajectory, tragic demise, and legacy forged by its rebellious founder, Russ Solomon.FacebookTwitterOfficial WebsiteDirector Colin Hanks Writers Steven Leckart Actors Russ Solomon, Michael Solomon, Heidi Cotler, Mark Viducich, Stan Goman, Bob Delanoy, Bruce Springsteen, Elton John, David Geffen, Dave Grohl Genre Documentary Run Time 1 hour 40 minutes Copyright to Production company
Matthew Morettini let’s us compare and contrast three screen manifestations of Hannibal Lecter with this neat video
I always preferred the 1985 Manhunter, with Brian Cox as the terrifying Lecter. Anthony Hopkins reworked the character in Red Dragon and Silence of the Lambs before Mads Mikkelsen appeared as the psychopath in the TV series Hannibal.
Take a look at the video. Which one do you prefer?
James Bond is a bit of wally, says Daniel Craig, the latest actor to make the character from Ian Felming’s books flesh and blood.
Craig has been talking to Esquire 007 in readiness for Spectre, the latest Bond outing:
“Austin Powers fucked it. By the time we did Casino Royale, [Mike Myers] had blown every joke apart. We were in a situation where you couldn’t send things up. It had gone so far post-modern it wasn’t funny any more.
The new Bond has “truth“, says Craig.
“He’s very fucking lonely. There’s a great sadness. He’s fucking these beautiful women but then they leave and it’s . . . sad. And as a man gets older it’s not a good look. It might be a nice fantasy — that’s debatable — but the reality, after a couple of months…
“[For a while] I did feel like, ‘I’ve got to look like I’m doing other stuff.’ But then it was, ‘Who for?’ So the public think, ‘Ooh, isn’t he versatile?’ [On Spectre] it was like, ‘I’m James Bond, for f***’s sake.’ It’s not a bad position to be in. I used to get asked all the time, ‘Don’t you worry that you’re going to get typecast?’ ‘And?’ I mean, talk about a high-class problem.”
Read it all here.
The Human Centipede pipe, by Dustin Yunker, is the ‘hot box’ tribute to the film of that name. We’re not sure what end goes to your lips; but our therapist assures us that which end you choose will say a lot about you.
Northern Stars Wars directed by Ken Loach.
Ice Cube hails his new film STRAIGHT OUTTA COMPTON by responding to reacting to the Rap Genius interpretations.
Those good people at Disinfo point us towards Future Shock, the film based on Alvin Toffler’s 1970 book. Released in 1972, Orson Welles narrates.
Alvin Toffler notes:
“We may define future shock as the distress, both physical and psychological, that arises from an overload of the human organism’s physical adaptive systems and its decision-making processes… Put more simply, future shock is the human response to over-stimulation…”
This is Future Shock…
In 1975, Orson Welles edited a scence from the porno movie 3 A.M.
Josh Karp spotted the master’s work in researching his book Orson Welles’s Last Movie: The Making of The Other Side of the Wind. He says Welles “wound up editing a hard-core lesbian shower scene that he couldn’t resist cutting in Wellesian fashion with low camera angles and other trademark flair.”
Welles knew his porn:
Owen Wilson likes to say “Wow”. If the script contains enough ‘wow’, Owen Wilson is in. Had William Shakespeare wrote “Wow, to be or not to be” or ‘Wow is that a dagger?”, Wilson would have been a fine stage actor.
As it is, he just comes across as a man playing himself on camera.
As Star Wars: Episode VII gets ready to hit the silver screen, you can listen to what it was like watching the first film in 1977. Youtuber William Forsche recorded his trip to the movies 18 years ago. He writes:
“You can also hear me making laser beam sounds at the end of this recording, because Star Wars got me all fired up!”
Is anyone as excited about this film?
This is just brilliant. Listeners to the BBC World Service’s World Have Your Say show were introduced to Godfrey Elfwick, a student from Sheffield talking about the lastest Star Wars franchise, Star Wars Episode VIII: The Force Awakens. Godfrey says the character “Dark Raider” is “racial stereotype”.
Godfrey Elfwick is a work of parody. Having said on twitter that he’d never seen Star Wars, the BBC got in touch:
Did Angela do any research? If she did, she must have missed Godfrey’s other tweets, like these:
Godfrey pricked the knowing liberal bubble with a skewer:
Brilliant. Just brilliant…
(PS: is he the only work of parody in that clip?)
Batman v Superman – Retro style:
‘Music to shiver by’ might be the name of John Carpenter’s album of Lost Themes. The man who thrilled us with his Halloween and these overlooked gems inspired directors Gavin Hignight and Ben Verhulst to put pictures to Carpenter’s tune Night.
Hignight pays tribute to the master of sinister synth:
“Upon hearing NIGHT by John Carpenter my head was instantly filled with these nighttime highway road dreamscapes. Someone or something, haunted, traveling the road alone in the late hours.
“Our goal was to take that feeling and put it into a video that paid tribute to the film work of Carpenter but at the same time gave him a new world to play in… in this case literally through Virtual Reality.”
It’s Oscar season. And gearing up for the movie biz’s AGM, are Mike Kleton and Morgan Miller with their “Mobarazzi” star maker. New Yorkers are now all the beautiful people…
Shit First Drafts has “found a couple of drafts of the Fifty Shades of Grey script”:
What does America think of the Baftas, the British Academy of Film and Television Arts awards? A look at the New York Times tells us the anwer is not very much. Or nothing.
One night after British acting’s AGM, and the NYT’s Arts section features not a single story on them awards.
It might be hard luck that the Baftas are staged on the night of the Grammy Awards. But it’s lamentable that Breaking Bad spin-off Better Call Saul ‘DNA’ is bigger news.
We love dolls, or action figures (as you macho lads call them). We’ve seen the weirdest celebrity dolls of all time. We’ve seen dead dolls. And we’ve spliced and diced more Barbies then you can shake a nagging finger at.
On Imgur, Uh Jess shows has been makin his own dolls. He’s taken Barbie (always Barbie gets it) and turning them into David Bowie, as seen in the 1986 film Labyrinth.
The clunking dialogue. The ability to fold yourself in half and turn your partner into an origami swan. The hands made for w***ing and clutching a ‘martial sex aide’. Yeah. 50 Shades of Grey was made with Lego in mind: