To Massachusetts, where police are searching for two men challenging passers-by to rap battles.
Charlton police said a black SUV with two or three men in their late teens or early 20s inside, pulled up to three young teenage boys on Dresser Hill Road at about 3pm on Saturday.
One of the men, described as having brown hair and a pale complexion, wearing a grey T-shirt, gray pants and open-toed sandals, got out of the vehicle and started rapping while the other men asked the boys if they wanted to “spit some bars” with them.
When the boys declined, the SUV drove off.
Open-toed sandals. Singing. Brown hair… pale. Hanging out with other men. It’s the second coming!
Investigators say the deaths of all four members of British band Viola Beach was an “accident”. The driver “did not intend to kill himself or the group” from Warrington. As the Times reports:
Kris Leonard, River Reeves, Tomas Lowe, Jack Dakin and Craig Tarry, the manager who is thought to have been driving, died when the vehicle plunged off a bridge, 18 miles from Sweden’s capital Stockholm early on February 13. A preliminary post-mortem examination found that the driver did not have drugs or alcohol in his body. Detectives believe the driver did not intend to kill himself or the band. The crash was due to unfortunate circumstances, they said.
Lars Berglund, of the Swedish police, says: “It looks like the drive acted deliberately… There is no suggestion that it was intended to kill himself or the band.”
And how does the Star report on the tragedy? It yells: “Brit Band Bridge Plunge: It Was Deliberate.”
Vocals Only: David Bowie and Freddie Mercury sing Under Pressure:
9th July 1973: Pop singer David Bowie is seen off at the station by his wife Angie. (Photo by Smith/Express/Getty Images)
David Bowie performs his final concert as Ziggy Stardust at the Hammersmith Odeon, London. The concert later became known as the Retirement Gig. (Photo by Steve Wood/Getty Images)
Make-up artist Pierre La Roche prepares English singer David Bowie for a performance as Aladdin Sane, 1973. Bowie is wearing a costume by Japanese designer Kansai Yamamoto. (Photo by Daily Express/Hulton Archive/Getty Images)
British rock singer David Bowie performs with an acoustic guitar on stage, in costume as ‘Ziggy Stardust,’ circa 1973. (Photo by Hulton Archive/Getty Images)
3rd March 1965: British pop star Davy Jones before he changed his name to Bowie following the success of the Monkees and their lead singer Davy Jones. (Photo by Potter/Express/Getty Images)
Cynthia Robinson has died of cancer. The musician played trumpet with Sly And The Family Stone Roots drummer Questlove salutes her life:
… she wasn’t just a screaming cheerleading foil to Sly & Freddie’s gospel vocals. She was a KICK ASS trumpet player. A crucial intricate part of Sly Stone’s utopian vision of MLK’s America. Cynthia’s role in music history isn’t celebrated enough. Her & sister Rose weren’t just pretty accessories there to “coo” & “shoo wop shoo bob” while the boys got the glory. Naw. They took names and kicked ass while you were dancing in the aisle. Much respect to amazing CynthiaRobinson.
A human skull keeps watch over US soldiers encamped in the Vietnamese jungle during the Vietnam War. (Photo by Terry Fincher/Getty Images)
In We Gotta Get Out of This Place: The Soundtrack of the Vietnam War,Doug Bradley and Craig Werner, professor of Afro-American studies at the University of Wisconsin–Madison, narrate the story of the music that whirled about the heads of American fighters.
Mark Steyn celebrates his Sinatra Centenary series with a look at the making of a hit song:
It was 1966. Enter Bert Kaempfert “the German kaiser of kitsch”:
He eschewed the standard 32-bar A-A-B-A song, possibly on the grounds that a middle section was way too much work. Instead, his tunes are built on the slightest of melodic themes, endlessly repeated. Yet they are, as the Germans say, Ohrwürmer – or earworms: maddening tunes that insinuate their way into your head and refuse to get out. “L-O-V-E” is the über-Kaempfert, a tune so simple that its lyricist Milt Gabler turned it into a spelling lesson, an “Alphabet Song” for grown-ups:
L is for the way you look at me
O is for the only one I see
V is very very extraordinary
E is even more…
So Kaempfert had form. And so Jimmy Bowen listens to Hal Fine’s bunch of Kaempfert themes and something called “Beddy-Bye” comes up. And Bowen plays it again, and again. And then he says, “Man, get me a lyric on that, and I’ll do it with Sinatra.”
“Beddy-Bye” sounds to me like yet another minimalist Kaempfert tune: the five-note title phrase, reprised a tone up and a tone down, is about 50 per cent of the tune. Yet a remarkable number of other people claim to have had a hand in its creation. The last time I mentioned the thing in this space David C Tobin of Washington, DC wrote to say that it was composed by Avo Uvezian, a Beirut-born Armenian-American pianist cum cigar manufacturer. He does indeed claim to have written the music, but so does the late Ivo Robić, the crooning Croat, who insisted that he’d composed it for a folk music festival in Split, Yugoslavia. M Philippe-Gérard, the Brazilian-born French composer of “When The World Was Young”, sued on the grounds that the tune was stolen from his “Magic Tango”, but lost in court.
So until these various Croatian-Armenian claims are as litigated as the Franco-Brazilian ones, we’ll stick with the official narrative. In 1966, Bert Kaempfert wrote this tune for his first Hollywood movie score, for the aforementioned A Man Could Get Killed, directed by Ronald Neame. And all it needed now was a lyric and Jimmy Bowen would make good on his promise and get Kaempfert a recording by Frank Sinatra.
Bowen had never made such a pledge before – for a fairly obvious reason: He was in no position to promise any such thing. “Obviously,” he explained subsequently, “nobody knows what Frank is going to do till he says what he’s going to do.” But he knew that that “Beddy-Bye” theme smelled like a hit, and Hal Fine took him at his word. He farmed the tune out to various writers, and submitted a couple of lyrics. Jimmy Bowen didn’t like either of them.
So Hal Fine tried again, this time with Eddie Snyder and Charles Singleton….
For “Beddy-Bye”, Eddie Snyder took his cue from the film and the James Garner/Melina Mercouri characters: They’re strangers, exchanging glances, and, by the time the tune’s reprised in the final moments, you know that, as the song says, they’re “in love forever”. “We had the scene,” recalled Snyder. “A man is sitting across from a girl in a bar. That was it.” But that was all they needed:
Strangers In The Night
Wond’ring in the night
What were the chances
We’d be sharing love
Before the night was through…
Gutterdämmerung looks fantastic. Here’s the pitch:
The film is set in a world where God has saved the world from sin by taking from mankind the Devil’s ‘Grail of Sin’…..the Evil Guitar. The Earth has now turned into a puritan world where there is no room for sex, drugs or rock ‘n’ roll.
From up on high in heaven a “punk-angel”, Vicious (portrayed by Iggy Pop), looks upon the world with weary bored eyes. Behind God’s back, Vicious sends the Devil’s guitar back to earth and sin in all its forms returns to mankind.
An evil puritan priest (Henry Rollins) manipulates a naive girl to retrieve the guitar and destroy it. On her quest to find the Devil’s Grail Of Sin, the girl is forced to face the world’s most evil rock and roll bastards. Throughout her journey, she has a rival in the form of a rock chick determined to stop her from destroying the instrument.
World-renowned heavy metal legends Motörhead have turned their attention to your intimate pleasure with their own range of branded sex toys. Powerful classic vibrators and bullets are amongst the line up, each packing a powerful punch that captures the rock and roll lifestyle of the band perfectly. Prepare for the sort of mind-blowing orgasms you’d expect from the ‘loudest band on Earth’.
Established in 1960, Tower Records was once a retail powerhouse with two hundred stores, in thirty countries, on five continents. From humble beginnings in a small-town drugstore, Tower Records eventually became the heart and soul of the music world, and a powerful force in the music industry. In 1999, Tower Records made $1 billion. In 2006, the company filed for bankruptcy. What went wrong? Everyone thinks they know what killed Tower Records: The Internet. But thats not the story. All Things Must Pass is a feature documentary film examining this iconic companys explosive trajectory, tragic demise, and legacy forged by its rebellious founder, Russ Solomon.FacebookTwitterOfficial WebsiteDirector Colin Hanks Writers Steven Leckart Actors Russ Solomon, Michael Solomon, Heidi Cotler, Mark Viducich, Stan Goman, Bob Delanoy, Bruce Springsteen, Elton John, David Geffen, Dave Grohl Genre Documentary Run Time 1 hour 40 minutes Copyright to Production company
In 1972, Italian singer Adriano Celentano belted out the No. 1 hit Prisencolinensinainciusol. You can sing along if you know the words but if you do you run the risk of sounds like a fool shouting at pigeons in the precinct.Adriano made them up as he went along. They sounded Englishy. He tellsAll Things Considered:
“Ever since I started singing, I was very influenced by American music and everything Americans did. I thought that I would write a song which would only have as its theme the inability to communicate. And to do this, I had to write a song where the lyrics didn’t mean anything.”
All the animations seen in the music video were created in camera. No stopframe techniques, or computer super-imposing was used; what you see is what rolled off the camera. The animations in the side-on views were produced by the camera capturing the moving reflections from the mirrored carousels, and the animations in the top-down views were created by matching the cameras frame rate to that of spinning record. The transitions between each section of animation was created by simply cutting or wiping between the bits of footage.