Celebrity news & gossip from the world’s showbiz and glamour magazines (OK!, Hello, National Enquirer and more). We read them so you don’t have to, picking the best bits from the showbiz world’s maw and spitting it back at them. Expect lots of sarcasm.
THE found-footage horror film genre is one that isn’t often appreciated. The late Roger Ebert himself once wrote that movies of this type often consist of “low quality home video footage,” are “usually under-lit,” are “lacking in pacing” and seem “intentionally hard to comprehend.”
Indeed, there seems to be the pervasive misconception that a found-footage horror movie is somehow easy to shoot and produce. You don’t need a star, for example, or much of a budget either, to make such a film. You don’t even need expensive equipment.
All an intrepid film crew needs is a good concept, and a whole lot of shakin.’
None of this is true.
A good found-footage horror film — while cut-off in large part from the elegance, structure, and language of traditional film grammar — nonetheless has its merits.
For one thing, found-footage films ramp-up the experiential or immersing aspects of the genre. The hand-held camera-work provokes a brand of immediacy and urgency that other horror sub-genres can’t necessarily emulate.
Horror movies in general concern situations that are impossible to escape, set in isolated locations. The found-footage genre runs with this idea, landing its stars in frightening landscapes and then charting a kind of pressure-cooker intensity as terror boils over.
For another thing, the compositions in found-footage films must appear spontaneous and on-the-fly, all while simultaneously capturing crucial action. This balancing act requires quite a bit of legerdemain.
A unique development of cinema-verite documentary techniques, the found-footage horror film thus requires patient preparation of shots, split-second timing, long takes, and a certain brand of non-theatrical or “naturalistic” performance that not every actor can easily master.
The overt critical dislike and disregard for the found-footage genre reminds me very much of the critical hand-wringing that occurred in the 1980s over the slasher movie formula, or in the mid-2000s over so-called “torture porn.”
Basically, movie critics are always finding some reason to object to horror’s latest trend, even as audiences are ahead of the curve, and excavating reasons to appreciate the new format.
In short, a good found-footage film — such as the genre’s classic, The Blair Witch Project (1999) — isn’t just a case of point-and-run film-making. In The Blair Witch, for instance, artistry can be detected in the escalation of the film’s throat-tightening terror, and there is even a clever sub-text about the camera operating as a “filter” that occludes reality.
The found-footage film genre has many undisputed highs, from [REC] (2007) to Trollhunter (2008), but the five found-footage horror films featured below have generally been dismissed by critics, even though they possess abundant virtues not necessarily associated with this derided sub-genre.
1. Apollo 18 (2011)
You know your movie has been poorly received when it is the butt of a joke in another found-footage horror movie (Grave Encounters 2 ).
But reception aside, Apollo 18 boasts a value that found-footage movies aren’t supposed to reflect: excellent production design.
The movie is actually a period piece, set in 1972, during the last days of NASA’s Apollo program. The film concerns a failed space mission to the moon, and the discovery of terrible creatures on the lunar surface.
In this case, tremendous attention has been paid to making certain that the film’s sets and wardrobes are appropriate and correct to the disco decade epoch. The film grain is right too, and the result is that Apollo 18 looks very much like footage of a real space program venture. The retro (low) tech wonders of the film are actually quite remarkable, from the Lunar Lander interior and astronaut spacesuits to the Rover mock-up. There is no hint in the visuals that this is modern fakery.
Similarly, if the game of the found-footage movie is to find an inhospitable or dangerous terrain, and then chart the mental and physical disintegration of the characters’ trapped there, then Apollo 18 must represent an apotheosis of sorts. The whole movie is set on Earth’s moon. The vast, desolate landscape is recreated ably on a low budget, and viewers understand immediately that this is a realm of a million dangers, and virtually no sanctuary whatsoever.
With convincing mock-ups and locations, Apollo 18 asks its audience to dwell, essentially, in an extended moment of fear and isolation, with no genuine hope of escape. One touching moment involves an astronaut – knowing he shall never see home again – playing a recording of his wife and son over and over; reaching out for something, anything human and comforting.
Again, critics want to tell you the characters in the film are indistinguishable and you never care about them. But this scene of human longing and separation puts truth to that lie.
2. Grave Encounters (2011)
Again, this is a found-footage movie that received largely negative reviews, but a positive audience response. And again, it boasts an intellectual or aesthetic quality that found-footage movies supposedly don’t possess: satirical insight.
In this case, the filmmakers mercilessly and humorously roast reality-TV conventions, and especially those of the Ghost Hunter-type show variety. In programs of this type, every little cold spot and door squeak is made into a paranormal event of historical proportions. Accordingly, Grave Encounters involves a team of reality-star wannabes, led by Lance Preston (Sean Rogerson), as these actors investigate a purportedly haunted mental institution.
In short order, the audience sees Lance pay a gardener on the sanitarium grounds twenty-dollars to claim that he’s seen ghosts. And the group’s psychic, Houston, is worried about possibly missing an important audition. When Houston goes “big” and suggests that there’s a demonic presence in the asylum, he asks — after the take — if was “too much.”
What Grave Encounters tells audiences is that everything you see on reality TV is phony.
Of course, horror movies must punish those who transgress, and these narcissists in Grave Encounters soon find themselves in a hospital where there is no escape. The asylum seems to rewrite reality itself, and the blasé actors – who have used real life tragedy as the source for their “drama” and stardom – are suddenly faced with a true understanding of madness.
Grave Encounters bucks all the stereotypical criticisms of the found-footage genre, and meaningfully (and scarily…) critiques an aspect of our culture: the quest for fame at all costs.
3. Paranormal Activity 3 (2011)
The best of the durable Paranormal Activity films, Paranormal Activity 3 is simply a superior scare machine.
It features some of the best jump scares in the franchise, and more than that, does so by generating the rare quality of attention, or patience. Again, critics of the found-footage format want to convince audiences that these films are slap-dash cash grabs that appeal to the lowest-common denominator. They’re cheap and gimmicky!
If that’s the case, how does one account for a film like Paranormal Activity 3, which possesses long stretches of silence and stillness, and demands engagement on the part of the viewer? Here is a film that instead of rewarding a short attention span, rewards patience.
So much of this sequel’s running time is devoted to a camera panning back and forth in a room, or the quiet recording of apparently vacant areas of a suburban house. This technique not only generates suspense, it encourages one to look closely at absolutely everything, to make a mental snapshot in your head of what item is where, what light is turned on, and what, if anything, is moving in the frame.
In a way, this very technique mirrors how it feels to wake up, sleepily, in the middle of the night (after hearing a noise) and scanning the environs. Paranormal Activity 3 is all about the potent idea of sleepy twilight, of being awake at 3:15 in the morning, and not quite having an accurate sense of what is going on. The world is at slumber — or should be — but something insidious lurks just at the edges of perception.
We’ve all experienced this feeling, and can relate to the characters’ situations.
4. V/H/S (2012)
The first found-footage anthology, this omnibus film is a social commentary on the fact that the home video revolution of the 1980s — now thirty years old — has transformed all of us into directors, actors, historians, journalists…even porno stars.
Imagine for a moment millions of people possessing home movie tapes, and then imagine what becomes of those tapes after three decades.
In whose hands to they end up? What purpose do they serve? What value do they possess?
V/H/S explore five unsettling genre stories vetted from a first-person perspective, and the wraparound narrative device involves a group of small-time miscreants desperately searching for one particular video tape in the house of a (presumably) dead tape collector.
Several tapes are viewed, and all are recordings of dark, sinister events. In virtually every situation, the video camera is used to hurt someone: to trick a gullible woman into sex, to record a carefully-plotted murder, to convince a scared girlfriend not to seek help when something strange starts happening to her, and so forth.
I once called this film “America’s Scariest Home Videos,” but it’s more than that: V/H/S is s chronicle of the weird turn that the home video revolution has taken.
Today, we have cameras on our phones and on our tablets, and we have the capacity to record our entire lives. But what if we are recording something else too? What if all the recording technology of the last thirty years is merely creating a tapestry of suffering and inhumanity? What if we are simply documenting our cruelty?
Again, it’s all too easy to dismiss this film (and its good, 2013 sequel as well…) as a gore-fest, but V/H/S explores – in horrifying fashion – the nexus of modern technology and modern morality.
5. The Devil’s Pass (2013)
This found-footage effort from Renny Harlin starts out as a meticulous exploration of the (still-unsolved) Dyatlov Pass Incident in Russia. A group of hikers died under mysterious circumstances in 1959, on the so-called “Mountain of Death.”
A film that seems in danger of being a simple Blair Witch Project knock-off, however, instead showcases something else that found-footage movies are often accused of lacking: imagination.
Before The Devil’s Pass is over, the movie has devised a (crazy…) solution to the real-life mystery, offered up a unified theory of conspiracies and the paranormal, and even had the grace and literacy to wink at Kurt Vonnegut’s Slaughterhouse 5. The movie incorporates Indian cave drawings and the Philadelphia Experiment, and ends with an audacious final twist that will leave your jaw agape.
Sure, the actors aren’t great, and the early scenes are clunky, but The Devil’s Pass’s final act runs on pure, unadulterated, gonzo imagination. The movie goes courageously for broke, breaking out of format conventions and generating a lingering horror that lasts long beyond the end credits.
Each one of the aforementioned films is worth watching, and each one puts truth to the lie that the found footage genre is running on empty.
Apollo 18 is an accomplished period piece, Grave Encounters a satire of reality TV culture and ethos, Paranormal Activity 3 a waking dream that requires active participation on the part of the audience, V/H/S a dedicated critique of our modern technology, and The Devil’s Pass is the most imaginative and daring horror film to come down the line in quite a while.
IF you can’t sell records anymore, thanks to illegal downloaders and the like, then why not work out another way of making money? That’s what Neil Young has done – instead of pissing around with music sales, he’s launched something you can’t download: something to play your music on.
So say hello to the Pono, which is apparently a high quality device. Young said of the gizmo: “once you hear this, you can’t go back”.
Pono will be a digital music service (PonoMusic) and 128GB portable device (PonoPlayer) and you’ll be able to store 2,000 high resolution songs.
It is described as a “purpose-built, portable, high-resolution digital-music player designed and engineered in a “no-compromise” fashion to allow consumers to experience studio master-quality digital music at the highest audio fidelity possible, bringing the true emotion and detail of the music, the way the artist recorded it, to life.”
SO. What did X Factor winner Sam ‘ScrewBo’ Bailey do next? A Hollywood biopic? A number one album? A chair on Loose Women?
Photo: Murderer William Rutherford Benn, Great-Uncle of Politician Tony Benn And Margaret Rutherford’s Dad
FLASHBACK to 14/09/1983:
William Rutherford Benn, great-uncle of politician Tony Benn and father of the actress, the late Margaret Rutherford. A graphic account of how Tony Benn’s ancestor murdered his own father, twice attempted suicide, and years later died in an asylum is recorded in a new book to be published by W.H. Allen. The story is related in great detail in “Y Tony Benn- The Making of a Politician”, by Alfred Browne, Weekend Editor of Press Association.
William Rutherford Benn murdered his father, the Reverend Julius Benn, a Congregational church minister, by bludgeoning him to death with a Worcester Spode chamberpot.
ANORAK’s favourite rich kid trying to find new ways to spunk her dad’s cash, Tamara Ecclestone, has been celebrating the impending arrival of her first child with a baby shower.
And it’s no longer a baby shower – it’s a Baby Whirlpool Bath. At a place, appropriately enough called The Orangery (see skin tones) at Kensington Palace, London, the gift receiving got underway. Tamara tells Hello!:
“One friend gave me a beautiful set of baby cups and plates and a silver infant knife and fork from Tiffany.”
KYLIE Minogue gives hope to other single woman in their forties:
“I had a realisation that I need to do things differently. I didn’t want to become a parody of myself. I spent new year on my own. I stayed home alone as I wanted to stay true to my epiphany.”
That’s not a night in in front of the telly on your own, ladies. That is an epiphany…
Debbie Harry’s Decapitated Head Rests In A Box Of Chocolates On The Cover Of Josephine Tey’s The Franchise Affair
For those of you not keen to read the book, you can watch the 1980s TV dramatisation below.
* Robert Blair was about to knock off from a slow day at his law firm when the phone rang. It was Marion Sharpe on the line, a local woman of quiet disposition who lived with her mother at their decrepit country house, The Franchise. It appeared that she was in some serious trouble: Miss Sharpe and her mother were accused of brutally kidnapping a demure young woman named Betty Kane. Miss Kane’s claims seemed highly unlikely, even to Inspector Alan Grant of Scotland Yard, until she described her prison — the attic room with its cracked window, the kitchen, and the old trunks — which sounded remarkably like The Franchise. Yet Marion Sharpe claimed the Kane girl had never been there, let alone been held captive for an entire month! Not believing Betty Kane’s story, Solicitor Blair takes up the case and, in a dazzling feat of amateur detective work, solves the unbelievable mystery that stumped even Inspector Grant
Spotter: Kenneth in the 212
HOW old is comedian Russ Kane?
Last weekend, the Sunday Times told us:
Kane, 33, is an Edinburgh Comedy award-winning comedian and television presenter with 557,000 Twitter followers who has fronted three shows on BBC3. Since Tony Hall, the corporation’s director-general, announced that he planned to close the BBC’s only television channel aimed at 16 to 34-year-olds he has become a crusader for the rights of the “yoof”.
Kane is of his audience.
“No one listens to us, no one gives a sh*t about us,” he says. “We’re one of the few countries where our young people don’t go out protesting. We’re too busy ‘neknominating’ [taking part in an online drinking game] each other and waxing our eyebrows off. So the problem is that we have a very quiet voice and you injure the group who is less likely to hit back.”
Wikipedia says Kane is old than 33:
Russell Kane (born 19 August 1975)
CELEBRITIES, really, are supposed to be badly behaved. What is the point of being wealthy, popular and good looking if you’re not goin to rinse it for all it is worth? As fame is more likely to leave you than stay with you for life, you should spend your time in the limelight leading the life we’d all like to do, if only we could throw sickies off work for months at a time and money wasn’t an issue.
And so, to the brilliant Lindsay Lohan who had problems with drugs, drink, driving, jewels, fist fights and rehab, all the time, managing to do some acting and show off her boobies in some magazines.
As well as all that, she managed to have sex with some of the most famous people in the world, cementing our plebian jealousy.
In Touch magazine claims that Lindsay, while dossing about with friends at a hotel, wrote a list of 36 former shag buddies encountered in Hollywood’s Petrie Dish. The names included James Franco, Heath Ledger, Colin Farrell, Justin Timberlake, Zac Efron and Adam Levine.
FINALLY! With Katie Price discussing the Oscar Pistorius trial in Now magazine, it’s been left to Uri Geller to find a solution to the question’ What happened to Malaysia Airlines MH370?’
I have been asked to help. I believe in remote viewing. Can you help me? Can you please try to ‘see’ where YOU bel
Can the spoon bender solve the puzzle?
Is that the shadow of the missing jet over Uri’s face?
ROXY, a Justin Bieber fan, has been speaking to a Canadian newspaper:
“He should, like, learn from his mistakes, but as the same time, like, young he’s like young still and he just, like, there’s a lot of pressure like on him right now and like, I just like, I just think people should just back off” – Roxy, Justin Bieber fan.”
STANLEY Kubrick’s The Shining has yet to get a dread sequel. Those film executives seeking to milk the success of the hit movie can watch Staircases to Nowhere, featuring words from the film’s producer Jan Harlan, Christiane Kubrick and Brian Cook, the First Assistant Director.
AS hard as it may be to imagine that the dark and intense meth maker of Breaking Bad was once a teen heartthrob, it’s true. In the mid-1980s Bryan Cranston was a dreamboat for teenage girls. So, when I came across the March 1985 issue of Teen Talk magazine, I couldn’t help but share his wonderfully cheesy pictorial. In light of the hardcore image Cranston acquired from Breaking Bad, it’s all the more humorous to see him described as an affable Prince Charming.
The issue also featured the likes of Duran Duran, Ralph Macchio, Prince, and Menudo. Poor Cranston didn’t have enough celeb status to get a mention on the cover. But the future Heisenberg did warrant a two page spread entitled “Bryan Cranston: He’s a Good Sport”. The article begins:
If you’re a fan of ABC-TV’s “Loving” you’ve probably fallen in love yourself – with actor Bryan Cranston. His character, drama professor Doug Donovan, is the resident good guy: sensitive, vulnerable and more than a little good-looking. So when Bryan recently called TEEN TALK and invited us to join him in his work out in Manhattan’s Central Park, we jumped at the chance.
The article continues:
To our delight, we discovered that the real-life Bryan is every bit as nice as Doug, and he’s a great athlete, too. “Growing up, I always wanted to be a baseball star,” he told us. In high school, he played baseball, football and tennis. Now acting is his major passion, but as you can see, he spends plenty of time keeping in shape. “I take an hour-long aerobics class that I really enjoy, “he says. (So do all the girls in his class!) “I also love to play sports.”
Last spring, Bryan organized a soap star football game – “Loving” vs. “All My Children.” “It was fun,” he jokes, “but unfortunately, ‘All My Children’ cheated, so they beat us!” Bryan’s next project is organizing a soap star baseball game, with good guys pitted against bad guys. “I’d like it to be for the public,” he says.
We can’t wait for the game, but meantime, these exclusive pictures of our day with Bryan should score high with you.
And so ends this lovely bit of journalism. I never knew Cranston was such an all-around athlete. One minute he’s jumping rope (“Bryan’s got such great legs!”), the next he’s juggling, and the next he’s creating the purest methamphetamine on the planet…. well, that last part comes later.
Hey, actors have got to start somewhere. It’s not uncommon for actors to rise up through the ranks, starting in soap operas and ending up critically acclaimed superstars. However, there’s just something particularly amusing about seeing Walter White as a young buck, hamming it up for a teen magazine.
THE Fantastic Mr Fox And Mr Anderson:
WHEN rock musicians get bored, there’s a mental ticklist of things they need to do to stop them from shrivelling up and dying.
They are: painting; an album of ‘standards’; going into ‘the movies’; poetry; acting; something to do with classical music; appearing on a documentary about a niche interest that no-one knew they had, like steam engines or fixing antique cars; and finally – children’s books.
And so, to Keith Richards, who is going for the latter and, apparently, is writing a children’s book. Although, if you’ve seen his hands lately, you’d be surprised if he could hold a pen or punch the letters on a keyboard, let alone write a whole book.
AT the moment, Kanye and Daft Punk (above) are so hot. Everything they do is leapt on, prompting furious debate, fandom and craziness. And then there’s Jay Z. Jay Z’s pretty much past it, but he won’t care because he’s fantastically wealthy and married to Beyonce. Like he’d care what anyone thinks about anything.
And now, with clickbait catnip, there’s a tune featuring all three artists on the same song!
The track, which you can hear below, is called ‘Computerized’ and a lot of people are having kittens. It was leaked onto a Yeezy fansite as an unreleased track. As this writer has previous in fooling the world’s press with music parodies and hoodwinkery, alarm bells went off before hearing a second of the track.
IT is usually indie fans who mock the rest of music for not being ‘real’ or doing anything worthwhile, when funnily, it is usually their favourite bands who are the most guilty of giving nothing to the world.
While everyone looks to rock music for protest, everyone’s missed the small fact that pop and hip hop have been the prime champions of hitting out against injustice. Guitar bands complain about Spotify or illegal downloads, concerned only for what they’re owed while pop and rap support Justice For The 96, hit out against corrupt police, call bullshit on the way media portrays women, stands up against bullying and berates corrupt politicians.
The latest is One Direction, who have urged their army of fans to lobby the Chancellor to hold the UK’s international aid budget steady and go after those guilty of corporate tax avoidance.
IN 1975, Mel Brooks appeared on Imperial College’s TV station Stoic to talk about his 1975 films Blazing Saddles andYoung Frankenstein. He sat opposite Mark Caldwell. He offers the insight that cowboys “do not make love to women in Westerns”:
“People say I am in questionable taste, you know what I mean? Well, I must tell you that I used the utmost discretion [and] I did not tell the whole truth about the Western, because they do not make love to women, you know that. They are very straight, very Christian and very with it, you know. They do make love to their horses. They do, they do. They don’t marry them, there is no formal ceremony, but they go off somewhere in the night with their horses.”
Colin Grimshaw writes on this video:
You can see that I have left the original countdown clock at the front because he couldn’t resist being funny even before we had started to record.
THE problem with songs about food is that, well, they’re never really about food. Tasty as brown sugar is, the Stones weren’t really singing about sucrose. And when Robert Plant sings “Your custard pie, yeah, sweet and nice. When you cut it, mama, save me a slice” he’s not talking about pastries. You might say it’s a time honored tradition for rock and pop musicians to use food as symbols of sex and drugs.
We certainly can’t go through them all, so let’s narrow it down and focus just on songs with fruit in the title. Here’s a playlist that not only is interesting and fun, but also rich in Vitamin C.
1. “Apples and Oranges” by Pink Floyd
The setting is the produce section at the grocery store; however, apples and oranges are also an allusion to the differences between Syd and a girl he sees there (who, according to Syd himself, he’d been stalking for hours).
In this video, Floyd makes an appearance on American Bandstand. Syd looks absolutely stoned out of his mind, and you can tell the cameraman takes care to avoid him as much as possible.
2. “I Am a Tangerine” by Tommy James and the Shondells
Tommy has admitted that he was hopelessly wasted when he wrote this song, and that it makes no sense whatsoever. Don’t go reading clever allusions and metaphors into this one, folks. When Tommy screams “Hello Banana”, he was genuinely introducing himself to a piece of fruit.
3. “Peaches’ by The Stranglers
“Peaches” is a simple song about walking up and down the beach staring at the ladies. However, the fruit acquired a gynecological connotation by the line:
“Will you just take a look over there. Is she tryin’ to get outta that clitares?
“Clitares” being a French word for bathing suit, and I’m sure The Stranglers were well aware of how the word would get misinterpreted. Clever bastards.
4. “Tangerine” by Led Zeppelin
Led Zep were no strangers to fruity music – let’s not forget “The Lemon Song”. Page wrote this one during his Yardbirds days, purportedly about singer-songwriter Jackie DeShannon. The false start at the beginning begat an interesting urban legend – that the intro was the remnant of the “the greatest song ever recorded” but the tape was destroyed, and both Plant and Page couldn’t remember how it went. This snippet at the beginning (not in the video above) is all that remains.
It’s total bulls**t, but nonetheless it’s an urban legend that should be fostered and encouraged. Of course, when it comes to fruit-centered urban legends, nothing will compare to the “Cranberry Sauce/I Buried Paul” conspiracy.
5. “Raspberry Beret” by Prince
Theories abound regarding the meaning of this song. Many feel it’s just a simple story about a young nobody who becomes captivated by a woman who enters the store where he works. Prince was under fire from Tipper Gore over his racy lyrics for “Darling Nikki”, so he wanted to tone things down a bit. But the fact that the store is owned by “Old Man Johnson” belies a dirty subtext. After all, this is the same guy that brought you “Soft and Wet” and “Cream”.
So, what does it mean? Some think the “raspberry beret” refers to an uncircumcised penis. Others say it’s menstrual blood. I say this is may be best left unanswered.
6. “Blackberry Way” by The Move
Very much in the vein of “Penny Lane”; sort of a downbeat answer to the peppy McCartney classic. Personally, I cannot get past the “ooh-wah” bridge (at about the 1:45 mark in the video) which is lifted directly from Harry Nilsson’s “Good Old Desk”. It’s stolen so exactly, the song is ruined for me.
7. “Cherry, Cherry” by Neil Diamond
Speaking of plagiarism, “What I Like About You” by the Romantics features a guitar riff pretty damn similar to Diamond’s “Cherry, Cherry”. Of course, there’s always some borrowing and cross-pollination in pop music. In fact, you could argue “Cherry, Cherry” owes some of its melody to “Dirty Water” by The Standells.
Whatever its roots, I’m inclined to agree with Rolling Stone in calling this one of the greatest three-chord songs of all time. You’ll notice no horns or drums; that’s because this hit was actually a demo version. Adding drums, horns and other polish detracted from the energy, so they kept the original.
8. “Dear Delilah” by Grapefruit
I could have ended this playlist on top with “Strawberry Fields”, “I Heard It Through the Grapevine” or “Blueberry Hill”. Instead, I’ll invalidate the entire premise of this article and offer up a song without any fruit at all in its title. The band’s name is certainly fruity enough, though. Grapefruit was of the hallowed 60s tradition of bands naming themselves after fruit (ex. Moby Grape, The Lemon Pipers, Strawberry Alarm Clock… not to mention Apple Records). In Grapefruit’s case, John Lennon actually named them after Yoko’s awful 1964 book.
Grapefruit’s singer is a member of the amazing Young family – the same clan that spawned AC/DC (Malcolm and Angus Young) and The Easybeats (George Young). Grapefruit had the full support of The Beatles, but couldn’t achieve the success they no doubt expected.
You might say that everything was going peachy keen at Apple, but they wanted to be top banana, and ended up with sour grapes.
(insert sounds of crickets chirping)
Sorry. A fruit pun was bound to happen at some point. My sincere apologies.
FEMINISTS are really, if we’re being honest here, only truly great at one thing – and that’s picking holes in people’s arguments. That would be the arguments of the patriarchy, sexists and bigots and, most importantly, the arguments of other feminists.
Throwing a match on the kindling is Lily Allen, who thinks feminism shouldn’t even be a thing in 2014, stating that “everyone is equal” in the modern world.
Good news for all those children who have been victims of FGM, the women who are denied rights by backward governments and the rest.
WHEN Kurt Cobain met Courtney Love, it made it into this biography:
Already infamous in Portland, Love was holding court in a booth when she saw Kurt walk by a few minutes before his band was set to appear onstage. Courtney was wearing a red polka-dot dress. “You look like Dave Pirner,” she said to him, meaning the remark to sound like a small insult, but also a flirt. Kurt did look a bit like Pirner, the lead singer of Soul Asylum, as his hair had grown long and tangled — he washed it just once a week, and then only with bar soap. Kurt responded with a flirt of his own: He grabbed Courtney and wrestled her to the ground.
SHARON Stone wants us to know:
“There was a point in my forties when I went into the bathroom with a bottle of wine, locked the door and said, ‘I’m not coming out until I can totally accept the way I look right now.’ ”
Sharon takes one bottle into the shower…
CELEBRITY Quote of the week came form the mouth of Victoria Beckham who was talking about her surgically enhanced breasts:
“I don’t have them anymore. I think I may have purchased them.”