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Want to eat your face in chocolate egg form? Bompas & Parr have news:
Just in time for Easter, Bompas & Parr invites you to explore the possibilities of the world’s first anatomical Easter eggs – in the shape of your own face! Eat My Face is a hands-on-face service that will see us create an exact mould of you or your child, mistress or dog’s face for that matter, in chocolate.
By using the latest facial-scanning and 3D-printing technology and employing our expertise honed in jelly mould-making, we are able to create a perfect mould of anyone’s face which can then be used to create an iconic chocolate egg form.
Irony overload in the Daily Mail, which brings news that an advert by fashion company American Apparel has had “ANOTHER advert banned, this time for ‘too sexy’ photos of underage-looking model in thong bodysuit”.
The Daily Mail hates looking at sexualised underage girls and ogling them. You can see how much it hates leering at underage girls here, here, here,here, here and here.
So, how does it choose to illustrate this apparent horror? Why, by publishing a photo of the American Apparel advert and zooming on the model’s primary sexual characteristics:
Got breast milk? Got a face? Then you can save $$$$ of skin treatments. But if you still want to be pampered, then head down to Chicgao spa Mud. Shama Patel, Mud’s founder, tells us:
“I really wanted to come up with something that was quick, effective, that appealed to the urban city girl…There are so many mommy blogs out there that talk about using breast milk to basically help with skin conditions.”
Happy day for Amalie Bruun and Brian Harding. The pop duo known as Ex Cops are invited to play at the Austin, Texas, SXSW. It would be just great. Think of the exposure. Think of the fans. Don’t think of the money because the invite from McDonald’s wants you to appear for free.
This week our band was asked to play the McDonald’s Showcase at the annual South by Southwest, also known to music insiders as “SXSW.”
Their selling point was that this was “a great opportunity for additional exposure,” and that “McDonald’s will have their global digital team on site to meet with the bands, help with cross promotion, etc”
I don’t, and doubt that they know what this means either.
Getting past that rhetoric, at the very least a big corporation like McDonald’s can at least pay their talent a little. Right?
“There isn’t a budget for an artist fee (unfortunately)”
As of 2013, McDonalds is valued at 90.3 billion dollars.
I won’t get into the internet semantics of things you’ve probably seen on your Facebook feed; like that thing where it takes a McDonald’s worker 4 months to earn what the CEO makes in an hour, or their GMO love affair, and I will certainly spare you the bounty of photos showing how they treat their animals.
In lieu of being paid like a real artist, or anyone who is employed to do a service, McDonald’s assures us that we will “be featured on screens throughout the event, as well as POSSIBLY mentioned on McDonald’s social media accounts like Facebook (57MM likes!)”
We recently headlined a show at the Brooklyn venue Baby’s Alright. They are by no means a DIY venue, but they are still an independent small business. The owners are people our age who used to book shows at Pianos and busted their asses to open a venue of their own in Brooklyn.
While I haven’t asked Billy or Zach how much they make annually (that would be weird) I’m going to guess they’re not looking at brownstones in Prospect Park at the moment. Yet when we played, we were paid very very fairly, were provided with drink tickets, and each band member fed a full entree from their menu (try the Brussels sprouts)
I will also go ahead and save time for any schill / troll rebuttals; “Are the other showcases paying you? No one is holding a gun to your head!” This is true. It is our choice (pretty much) to fly to Austin, play shows without soundcheck, and get paid nothing to a little. But hear this loud and clear, we LOVE making music, it is what we do, and despite some of its very apparent flaws, SXSW still provides a decent venue to be heard by some people who are really there to hear new music and not just do blow with dudes who wear square toe loafers.
It is a horrifying and gross reality when one sees the true nature of corporations and their pathetic attempts to achieve relevance with millennials. Doritos received a lot of flack for their stage a couple years ago, but i’m going to assume they paid Lady Gaga.
Oh, I almost forgot; “McDonald’s will offer free food to all audience members”
I don’t doubt that tons of bands will kowtow to this lame, lame attempt at a rock show. And I’m aware that to achieve any exposure is a Herculean task in 2015, but the Boethian Wheel is a real thing, and this will continue to exist if we, as artists, keep saying yes in exchange for a taste of success. Even if smells like a shitty Fish filet.’
Can you be a burger artiste? Just wondering because McDonald’s have a few opportunities – all unpaid – for anyone who can pump sauce into intersting shapes…
To mark World Book Day, school children are encouraged to dress up as their favourite book character. Liam Scholes, 11, arrived at Sale High School dressed as Christian Grey, eponymous star of 50 Shades of Grey. He carried a mask and cable ties.
The school duly banned him from participating in themed events and the class photograph.
And that seems harsh given that in the 1930s sad-masochism was the stuff of boys comic books. Indeed 50 Shades of Grey was originally titled 50 Shades of Greyfriars, a work of Billy Bunter fan fiction:
Chick Career: one man’s comic-book crusade for humanity
Are you worried about the growing menace of the Homosexual-Catholic-Islamic-Satanist-Masonic-Alien conspiracy to promote evolutionism, fornication, pornography, pornography, paedophilia, pop music, alcohol and drugs?
Well in that case, it’s high time you got acquainted with Jack Chick – crazy name, crazy guy – and his body of enlightening works.
I first became aware of Jack when I purchased This Was Your Life for a few pence in a Christian bookshop many decades ago. Its primitive and unsubtle visual style intrigued me, as did the way it crudely homed in on the childlike insecurities that lurk within us. Here it is, animated for your convenience (with an extra ending that is definitely NOT in Jack’s original)…
But if the theme of the prodigal son is a familiar one, Jack’s other work takes us to nightmare scenarios far beyond the normal scriptural pastures, where the very existence of the human race hangs in the balance…
So who is Jack Chick? And how did this unlikely evangelist embark on his pioneering cartooning career?
According to his website, ‘As he grew, Jack was constantly drawing, and honing skills that God would later use in a great way.’
A great – some might say mysterious –way indeed.
Jack got off to an inauspicious start: ‘While in high school, none of the Christians would have anything to do with him because of his bad language. They all agreed not to witness to him, convinced that he was the last guy on earth who would ever accept Jesus Christ.’
After high school, Jack studied drama, went in the army, and eventually became an actor.
Then one day his mother-in-law insisted that he listen to Charles E Fuller’s Old Fashioned Revival Hour on the radio, during which Jack fell to his knees ‘and my life was changed forever’.
First he borrowed $800 from the credit union to fund the initial printing of Why No Revival?
Then, while out driving, Jack spotted some teenagers on the street. ‘At the time, I didn’t like teenagers or their rebellion,’ he recalled. ‘But, all of a sudden, the power of God hit me and my heart broke and I was overcome with the realisation that these teens were probably on their way to hell. With tears pouring down my face, I pulled my car off the road and wrote as fast as I could, as God poured the story into my mind.’
The result? A Demon’s Nightmare
Jack’s boss told him that the Chinese people had been won over to Communism through mass distribution of cartoon booklets, and this planted the seed of a plan in his fertile mind.
When invited to speak at a local prison, he prepared a flip chart to illustrate his speech. So successful was his performance that ‘nine of the eleven inmates present trusted Christ as their Saviour’.
The artwork from his talk formed the basis of This Was Your Life, the seminal ‘Chick Tract’ mentioned earlier.
The early tracts were not an instant hit.
‘A lot of the bookstores were really outraged at some guy using these cartoons to present the gospel,’ remembered Jack. ‘They thought it was sacrilegious.’
Half a century later, however, with hundreds of tracts translated into a hundred tongues, Chick claims a combined sales figure of 750 million: ‘His burden has always been to get the gospel into the hands of millions of lost people around the world. He wanted to be a missionary himself, but his new wife wanted no part of missionary life. Her aunt had been a missionary in Africa. While pregnant, she was being carried across a river on a stretcher, when one of those carrying her lost a leg to an alligator. But God had other plans. He wanted Jack to stay home and produce effective gospel literature that missionaries could use to win the lost. As a result, many missionaries love Chick tracts and use them to reach multitudes they could never reach one on one. Today, over fifty years after writing his first tract, God is still giving Jack Chick new gospel tracts. In fact, he is now producing some of his most popular work. As of this writing, five of the ten most popular Chick tracts in stock have been written in the last year or two.’
Jack’s tracts bring new and vivid illustrations of Christian tenets. In The Execution, a murderer is spared the gallows – only to discover (to his horror) that his own mother offered to be hanged in his place, just as Jesus died for our sins. In Flight 144, a Christian couple who have spent 50 years doing good works around the world in God’s name are killed in a plane crash and refused entry to heaven because good works don’t save sinners – only God can. In Heart Trouble, a man visits a cardiologist who tells him that he will die (‘everybody dies’) and that everyone is born with a heart problem: ‘the ugly things down deep in your heart that we can’t see… But God does.’ In Lisa (now no longer available but posted online by Chick’s detractors) a doctor informs a father that he has given his young daughter an STD – then saves his soul by introducing him to Jesus. In Big Daddy? a crazed teacher throws a boy out of his class for questioning the theory of evolution.
And so on. Targets range from the world’s biggest religions, science, abortion and homosexuality through to Santa Claus, Halloween, Harry Potter, and Dungeons and Dragons.
Many people seem to find it amusing to republish the distinctive Chick Tracts online, with amended text that ridicules Jack’s urgent message.
Some claim that Jack is a bigot and a hater. Others, that he is delusional and mad.
Garfield Black, 48, of Waterloo, south east London, says that if you respond to the challenge by Peppa Pig to “find the odd one out” the pink cartoon character responds with a “f*ck you… odd one out”.
Garfield bought the Peppa Pig Fun and Learn Tablet for his son Amari.
Mr Black is upset and outrage that his son should hear such language. Here he is voicing his upset to the camera. This way, when Amari is big he can look back and know how close he came to picking up bad langauge:
Fifty Shades of Grey has inspired Surf’s Flirty Shades of Surf liquid laundry detergent to “bring a touch of cheekiness to the daily wash”. It is a riot of “scentsual oils”. It contains “Alluring Rose and Jasmine”, who are not two genie porn stars that appear when you rub the bottle on a sweat stain, but the fragrant bleeding from spanked, throttled and rinsed flowers.