TV & Radio Category
Television and radio programme reviews, trailers, highlights, twilights and cinema news. Also the neglected gems from years past.
BEAVIS and Butt-head are two boys so stupid they once forgot how to wee, who treat dog bites by pouring sports drinks into them, and who believe it’s possible to get yourself pregnant. They’re the best. Mike Judge’s sniggering fartknockers are easily dismissed, but they rule hard. Huh huh. We said “hard”.
THEY COULD DESTROY A BAND
1980s glam-rock also-rans Winger were frequently the butt of jokes on Beavis & Butt-head – the boys’ weenie neighbour Stewart wore a Winger shirt, and they described the band as “wussies”. Apparently this all came from when Mike Judge heard that frontman Kip Winger had insisted that MTV not let Beavis and Butt-head mock his band – Judge got annoyed and made fun of them loads. Winger ended up blaming the band’s break-up on the cartoon, but it turned out he’d actually been misquoted the whole time. Sore.
THEY CHANGED THE ENGLISH LANGUAGE
As well as beautiful catchphrases like “I need TP for my bunghole” and “I have seen the top of the mountain, and it is good”, Beavis and Butt-head gave the world insults like dillhole, assmunch, buttmunch, ass-goblin, asswipe, dickweed, dillweed, fartknocker, turd-burglar, pecker-butt, bunghole and chode-smoker.
THEIR MUSIC REVIEWS WERE SPOT-ON
On Vanilla Ice: “They’re always putting this guy down and making fun of him and saying he sucks and stuff. But you know, he really does suck, and this is one of those times where everybody’s right.”
On Radiohead: “Sometimes, if I have a boner that won’t go down, I listen to this type of music”.
On Type O Negative: “I think they’re a cross between Megadeth and my butt. I mean that as a compliment. My butt rules.”
On Scatman John: “They should have a name for this type of music.” “They already do have a name for this type of music, Beavis – it’s called crap.”
THEY MADE PEOPLE PROUD TO SUCK
After featuring a video by heavy metal band Grim Reaper, Judge ran into several of the members backstage at an Anthrax concert. “I thought I was gonna get my ass kicked,” says Judge, “But he said ‘I love your show. You trashed my video, but wait til you see the next one – it sucks even more’”.
THEY COULD MAKE A BAND HUGE
White Zombie were releasing their song Thunder Kiss ’65 for the third time, and not making a huge impact with it, when Beavis and Butt-head discovered it and decided it ruled. “Beavis and Butt-head thought Thunder Kiss ‘65 was cool and played it a lot” said White Zombie bassist Sean Yseult. “I hate to say we owe a lot to two cartoon characters, but we really do. That show was really cool. Everything that Beavis and Butt-head liked, I liked too so it was cool. It was kinda cool to be in company with the things they approved of.” They also championed the hell out of Gwar (who are THE BEST), and had Snoop Dogg (back when he was Snoop Doggy Dogg) on the show a bunch of times.
THEY PAVED THE WAY FOR SOUTH PARK
Until Beavis and Butt-head came along, animation for adults consisted of The Simpsons and bugger-all else. Matt Stone and Trey Parker had started making rudimentary cartoons by the time Beavis and Butt-head was broadcast, but there’s no way they’d have ended up with a prime-time slot on a mainstream channel without Judge’s show. When South Park blew up, Mike Judge got in touch with Stone and Parker to warn them that success brings a backlash with it. Parker told Playboy in 2000 “He said, ‘There’s going to be this big rise, and then everyone will hate you. You just ride it out and do your job, you’re just a show.’” He also gave them the advice “Don’t let people take advantage of you, because they’re dumb.” Judge voiced Kenny for his sole unmuffled line in the South Park movie, Bigger, Longer & Uncut.
MIKE JUDGE DID IT PROPERLY DIY
“I always wanted to do animation – I did flip books as a kid” Mike told an interviewer in 1996. “But I always thought you needed all the equipment and the money for film and all the sound equipment. I thought, maybe if I’m rich someday. Then an animation festival came to town, and I saw the cels in the lobby and realized a local guy actually did it. So I figured out ways to make films with a $300 camera. I did the lipsynch tracking with a stopwatch and a four-track cassette recorder, and did the music as one piece.”
WITHOUT THEM THERE’D BE NO OFFICE SPACE OR IDIOCRACY
After finishing Beavis and Butt-head’s first run, Judge wrote and directed box-office-flops-turned-cult-hits-on-DVD Office Space and Idiocracy (as well as Extract, which to be fair is a bit rubbish). Office Space is possibly the best movie about work ever made, while Idiocracy manages to combine really intelligent satire with a lot of people getting hit in the nuts. The dad from Everybody Hates Chris plays the future US President in it, and he’s completely amazing. He’s a wrestler who keeps grabbing his crotch.
This is the trailer for Judge’s new show, Silicon Valley. Does it look good? Yes, it does, it looks really really good.
THEY KNEW HOW TO TURN A CUSS INTO A GAG
When Senator Ernest Hollings, who had never watched an episode, badmouthed the show during an interview, he mispronounced it as “Buffcoat and Beaver” (which is incredibly weird, and sounds really rude, and suggests Senator Ernest Hollings has a dirty mind). This immediately became a running joke, with almost every adult that the boys encountered pronouncing their names differently (“Travis and Bob-head”, “Crevis and Bung-head” etc).
MIKE JUDGE HAD A BAD TIME
This isn’t really a thing to celebrate, but he’s not having a bad time anymore, so that’s something. When a five-year-old set fire to his family’s trailer, killing his two-year-old sister, his parents claimed he’d been influenced by Beavis and Butt-head’s obsession with fire (he hadn’t been – the family didn’t have cable TV). The ensuing controversy led to Judge being banned from having Beavis say the word “fire”, which he hated because it implied some responsibility for the incident on the part of the show. He also had a pretty rubbish deal with MTV, with one director later recalling “MTV robbed that guy, he got nothing”. When the show returned in 2011 though, Judge was in more of a position of power, and the full title of the show was Mike Judge’s Beavis And Butt-Head. Dude did good.
THEY SPAWNED DARIA AND KING OF THE HILL
Beavis and Butt-head’s monotonal classmate Daria ended up getting her own spin-off series, which was awesomely 90s and beautifully observed (plus several of the characters in it were weirdly alluring). Mike Judge also morphed Beavis and Butt-Head’s neighbour Tom Anderson into Hank Hill, lead character of King Of The Hill, which ran for thirteen seasons, won tons of awards and was ace. Judge also created The Goode Family a few years ago, about a family of politically-correct liberals, which was sort of rubbish so let’s not dwell on it.
THEIR ANIMATION SUCKED BUT RULED AND THEN RULED WHILE STILL SUCKING
The animation in the first series of Beavis and Butt-Head was properly rudimentary – it was hand-drawn, rushed, and the character models took a while to be properly solidified (a bit like the way early Simpsons episodes look like they were drawn in real-time). When the show came back in 2011 they had full HD, really lovely-looking animation, but for the bits where they were commenting on music videos, they re-used the rubbish old animation. Christ knows why, but hey, recycling’s a positive thing, right? The poor animation was also a source of inspiration to Matt Stone and Trey Parker, who applied the same DIY aesthetic to their cut-out construction-paper films.
MIKE JUDGE IS A LOVELY DUDE
A lot of people that work in telly are vicious sods, but Mike Judge seems to not have a bad word to say about anyone. Describing Matt Stone and Trey Parker’s Team America script, he said “I’ve never laughed out loud as much reading anything”, he’s described Family Guy as “great”, Simpsons creator Matt Groening as having “started it all”, and equates old Road Runner cartoons with the moon landing. He also put together a touring festival, The Animation Show, designed to showcase work by lesser-known artists. What a nice dude. Plus he’s friends with Johnny Knoxville, and that guy seems to have pretty good taste.
THEY CAN HELP BROKE-ASS ARTISTS BY LAUGHING AT THEM
In one episode of the 2011 season, Beavis and Butt-head comment on a video called It’s So Cold In The D by T-Baby. T-Baby is broke as hell – she’s not got a record contract or anything, and her song was just a no-budget YouTube video that people thought was funny. She got US$4,000 to let her video be used on Beavis and Butt-head, and will get another $4,000 every year that the show’s repeated. She told TMZ “People have been making fun of me my whole life, so Beavis and Butt-head laughing at me is no big deal – I’m laughin’ all the way to the bank. It’s been the biggest kickoff to my career.”
BIOPICS are problematic at the best of times, but get it right and you can cement a person’s place in history forever. Especially tricky are rock biopics because, half the time, the person or people they celebrate, are still alive. Or at least, they were around not that long and you can remember if they were horrible or not.
However, some rock films are better than the actual careers of the artist they pay tribute to.
Have you seen The Doors film? That’s a daft romp through 60s fluff and nonsense with some hilarious mystical sequences and leather trousers. 10,000% better than actually having to sit down and listen to anything The Doors ever committed to record. We can whip the horses eyes? C’mon! You’d much rather see one of Meg Ryan’s boobs and laugh at Billy Idol in a hippie wig!
With a biopic of Jimi Hendrix due to drop any minute now, played by Andre 3000 from Outkast, it seems like a perfect time to look at some of the finer performances in the oeuvre.
Let us start with the newest and most exciting biopic in a while. ‘All is By My Side’ features Andre Benjamin as the late Hendrix. We knew he was a man who could pull off Hendrix’s wild attire, but the footage doing the rounds shows that Benjamin is more than adept at doing an impression of Jimi. Have a look.
BBC Coventry and Warwickshire blames a “technical” error for adding screams to a report on the Oscar Pistorius murder trial.
A BBC spokesperson said: “There was a technical mistake where sound effects being prepared in another studio for an unrelated item were accidentally broadcast over the news bulletin. We apologised for the error immediately afterwards.”
Watch Way USA: The Punk Travelogue When Tesco Vee Sells His Soul To The Devil For A Trip To Baltimore
RICHARD Metzger has posted the fantastic video. MTV’s Watch Way USA, stars Tesco Vee of the Meatmen and Touch & Go cutting a deal with the Devil: he swaps his soul for a city break in Baltimore.
Naturally, it features John Waters.
But also thank must go to YouTuber BazillionPoints, for unearthing this gem and sharing it:
Baltimore’s sweaty charms, starting with a debriefing with dangerous young John Waters in his office, and swerving through a lascivious pre-Internet underbelly of strip clubs, wig stores, beer bars, thrift stores, massage parlors, and other sleazy spots. Tesco Vee is at his silver-tongued apex as counter-cultural pied piper and agent of sin.
THERE are a lot of people who will go on and on and on about the amazing theme songs of ’80s and ’90s cartoons. While they have a point (who can resist the Willie Fogg theme or indeed, M.A.S.K. and Thundercats?), they pale in comparison to those cartoons brave enough to get a full orchestra on the go.
From the birth of music and animations, right up to the ’60s, studios – notably those brilliant people at Warner Brothers and Disney – created some of the most brain-popping and often side-splitting moments of music ever committed to a TV or cinema screen.
While Disney were the kings of the big, soaraway song or killer ditty, Looney Tunes were the undisputed champs of chaotic, inventive and playful classical and jazz.
Between them, both camps created so much iconic music that it defies belief. However, much of it is sorely, sorely undervalued. So here, let us praise the dazzling and daft songs that will forever light up your life.
Let us begin with the beginning. From the opening bottlenecked guitar to the galloping brass, the opening credits of any Merry Melody or Looney Tunes cartoon, this piece of music is immediate sunshine. Vitamins for your soul. Let’s not forget Mel Blanc’s contribution with his machine gun, rat-a-tat Porky Pig stutter of “that’s all folks!” for the outro music too.
The Wonderful Fotoplayer
As chaotic as the music itself is the instruments invented to keep up with old animations. Watch one of these brilliantly bizarre contraptions being played and imagine the scene it dictates.
For the nerds among you, here’s a breakdown of the Fotoplayer. Yes. We all want one now.
It is easy to ignore the complexity and deftness of the music behind a cartoon, because you’re too busy laughing at someone’s teeth shattering in the mouth after they’ve been hit full in the face with a frying pan, or you’re rolling around laughing an anvil turning someone’s body into a concertina. However, at the 2013 Proms, everyone got to see how furiously busy the musicians had to be to keep up with the score. Better yet, as this video shows, the much forgotten percussion section really gets to shine. Observe as they throw plated into a bin and chase each other off-stage. Absolutely incredible.
We all know that classic music is an absolute drag for the most part. However, Looney Tunes can make anything funny. Often, they would take a tedious opera and turn it inside out. Here, Bugs Bunny conducts and, wonderfully, all hell breaks loose.
Raymond Scott was a composer and experimental electronic music pioneer and his work ‘Powerhouse’ was a favourite of the animated short. You can read up on Scott’s genius here. Or, if you prefer, you can watch the video below, which shows off the use of the iconic ‘Powerhouse’, which you inevitably didn’t know the name of until now. You can here the music on its own, here.
No-one can write about music in cartoons without including the outstanding Cat Concerto featuring Tom & Jerry. Watch Tom play the right notes below.
The Sherman Brothers aren’t household names, but their tunes are. They wrote a fantastic amount of songs that we could all sing. Working for Disney, they wrote ‘A Spoonful Of Sugar’, the music from Bedknobs and Broomsticks’, ‘Lets Go Fly A Kite’, the Winnie The Pooh song and, the incredibly memorable ‘I Wanna Be Like You’. And more.
More recently, Danny Elfman’s theme for The Simpsons recalls those glorious golden days of animation. He got a full orchestra and created something grand, silly and complex and filled it with witty asides (the car horn and such), giving us perhaps the most memorable theme tune of a generation. Just perfect.
There are few shows that are as entwined with music, more than the Pink Panther. One look at the title character and your entire brain is flooded with Henry Mancini’s hip jazz. As the Pink Panther didn’t talk (well, he did, but the less said about that the better), the music became his language. The way he put a skip in his walk. The way he tried to style out calamitous accidents. The way he came out of that spin dryer looking like candyfloss. Everything is ticked with the beat of some of the most perfect music any TV show could hope for.
Feel free to add your own favourites in the comments. Everyone loves cartoon music!
RIP BBC 3. We will never forget your finest moment. One Direction: The Doctor Who After Party Live…
THE BBC is a wonderful thing and this writer will defend it forever. That said, not everything it does is perfect. Take a look at BBC Three for example, which is currently being scrutinised now that Auntie has said it might be closing it down forever and ever amen. Or, at lease, turning it into an online channel.
A BBC spokesman said “nothing is off the table”, adding “no decisions have been made”, but really, it must be nigh on impossible to justify the existence of BBC Three (and Four for that matter), when they only broadcast for half the day (seriously – what is with that) and for the main part, are furiously unpopular.
In the case of BBC Four, the handful of decent shows they make could easily be shown on BBC Two. And BBC Three? Well, there’s little to save from the cull. And the stars that are calling for the channel to remain underline why it needs to go.
Jack Whitehall, Matt Lucas and Russell Kane are amongst those showing support for BBC Three.
THERE is just something inherently creepy about a doll coming to life. I think it falls into the same category as clowns, kids and the elderly. Because they are supposed to be so benign or innocent, it becomes all the more warped and vulgar when they take a bloodthirsty bent.
The devil doll trope didn’t start with Chucky. In fact, you could go back centuries via fairy tales and the golem mythology. In terms of cinema, you could start with The Devil Doll (1936) or Dead of Night (1946). However, we’ll concentrate on films from the 1970s and adjacent decades.
So, here are the top demonic doll movie moments from the 1960s through the 80s. If there’s any egregious omissions, please fill me in, and let’s make this list grow!
15. CHILD’S PLAY (1988)
Woefully cheesy, this film just doesn’t do anything for me. However, I recognize it’s earned its place on the list of evil dolls, so here’s Chucky. Moving right along….
Mic Wright’s Remotely Furious
I DIDN’T watch The Oscars. It’s not simply that they’re held at stupid o’clock in the morning and carry the risk of exposure to Ryan Seacrest and, even worse, the Ronseal-tanned visage of Piers Morgan, it’s that there’s no surprises anyway. The Oscars are like almost ever Premier League match featuring one of the ‘Big Four’ and teams like my beloved Norwich City: the result is practically predetermined and by the time the prematch analysis is over – hours and hours of the stuff – you’re too bored to bother with the big event.
THIS is a protest against anti-homphobia from the Republic of Telly. (Language is NSFW – and very good.)
BEN Mallaby’s video looks at the future of anti-social drunks, fighters and pukers in the age of time-travel. Timeholes is time travel for Stag and Hen do over-indulgers in 2015.
BARACK Obama makes reading the autocue look pretty easy. After all, reading and aloud is something you learn to do when you’re a toddler. If you can make a living out of it, more power to you. But you are at the mercy of technology and grammar. A misplaced comma can lead to difficulties, as we will see in these examples:
Dana was murdered – she’s off tonight
And you know what you are – all of you:
Especially you, sicko:
And here’s how you do it:
PIERS Morgan’s CNN TV show is to end.
Three years after taking over for Larry King, ratings for Piers Morgan Live have not matched rivals such as Fox News and MSNBC causing network president Jeffrey Zucker to decide to pull the plug on the British journalist….
‘It’s been a painful period and lately we have taken a bath in the ratings,’ Morgan told The New York Times.
Plans for a replacement are underway, but Morgan and the network are in talks about him remaining on the air in a different role.
HERE are a few vintage phallic instances (either real or inferred) which have gained a bit of notoriety over the years. Read on – your inner idiot will thank you.
1. THE RIFLEMAN’S LOG
This Rifleman comic book has experienced a certain degree of notoriety for what can only be described as a horrifically uncomfortable cover. How is it possible that the subtext went unnoticed before printing? Looking through old magazines, comic books, etc. it’s easy to stumble onto accidental phallic imagery. Perhaps it’s because they weren’t as jaded as we are these days, always finding the tawdry in the innocent. Or maybe published adverts and illustrations generally weren’t as polished, edited and re-edited as they are today. Who knows? Yet, the phallic nature of this one seems so extreme, it couldn’t possibly have been missed by even the most obtrusively naive,… right?
2. THREEPIO’S UNIT
This Star Wars trading card has also received some well-earned notoriety. It appears that C-3PO is sporting a golden metallic erection of impressive proportions. The robot was supposed to be a “protocol droid”, but this picture has one wondering if C-3PO had other useful functions not fit for a family movie. According to the official Star Wars site:
It appears that the extra appendage is not the work of an artist, but rather a trick of timing and light…. At the exact instant the photo was snapped, a piece fell off the Threepio costume and just happened to line up in such a way as to suggest a bawdy image.
According to Snopes, whether this was intentional or not remains undetermined.
3. SEARS CATALOG PROTRUSION
This unfortunate event occurred in the 1975 Sears Fall/Winter catalog. Extending below the boxer shorts emerges what appears to be a glimpse of this model’s manhood. A lot of squinting, enlarging, and Photoshop exploration has occurred over the years trying to get this mysterious object into focus. Can it truly be what we think it is? Or is it simply a smudge? We may never really know.
This phallic incident even inspired a novelty song “The Man on Page 602” by Zoot Fenster, released not long after the catalog was published.
“The picture’s got me out of sorts, because I don’t understand,
Are they advertising boxer shorts, or are they trying to sell the man?”
4. THREE’S COMPANY SCROTAL EXPOSURE
God knows, shorts certainly lived up to their name in the 1970s. So, you can hardly fault John Ritter for what took place in episode 161 of Three’s Company. In this now infamous sitcom episode, he takes a seat on a bed and in the process reveals portions of his junk for the camera. If you blink you miss it, and it’s not exactly in high definition either…. But, make no mistake, Ritter’s naughty bits are definitely there. The incident yielded one of my favorite quotes of all time. When asked by The New York Observer whether they should edit the scene for future broadcasts, Ritter responded:
“I’ve requested that Nickelodeon air both versions, edited and unedited, because sometimes you feel like a nut, and sometimes you don’t.”
5. POPSICLE OF SHAME
I present to you this highly troubling Evel Knievel Popsicle ad. It hasn’t garnered any notoriety yet, but it’s high time it did. Spread the word.
Mic Wright’s Remotely Furious: House of Cards, Line of Duty And Enough Spoilers To Kill A Guardian TV Reviewer
Spoilers spoilers spoilers: watch House of Cards and Line of Duty or you’re dead to me
IF you’re like a hipster version of the Likely Lads trying to avoid spoilers for House of Cards Season 2 and/or the incredible Line of Duty, stop reading now and pop back when you’re caught up. I’m not here to hold your hand or keep secrets for scriptwriters. Incidentally: Verbal Kint is Kaiser Soze, Snape was a double agent and the cake is a lie.
Now that’s out of the way, let’s thrust our hands into the guts of the matter. Both Line of Duty and House of Cards opened their second seasons with shock deaths for young women the audience was growing to like. In the case of Line of Duty, the young policewoman thrown out of a hospital window had less than 40 minutes to make her connection but still managed it thanks to the masterful scriptwriting of Jed Mercurio. House of Cards’ Zoe Barnes got a full 13 episodes in Season One to grow on us. By the end of the first episode in Season 2, she was under a train and out of the picture for good.
The Aphex Twin soundtrack makes it rock.
VIEWING of the BBC’s Saturday afternoon broadcast of Ross County v St Mirren in the Scottish Premiership was ended when swearing broke out amongst the fans.
Telly watchers hoping to catch the game at 5:30pm were forced to wait until the post-watershed 10:55pm.
Margot McCuaig, managing director of mneTV, which was producing the broadcast for BBC Alba, tweeted:
“Unfortunately @TheStaggies v @saintmirrenfc won’t transmit on #BBCALBA at 5.30pm due to bad language from crowd. Will be on at 11pm. Sorry!”
ALBERT Hall was born in Kansas…on a farm. He was not born in London. He is not to be confused with the concert Hall.
THE trouble with American situation comedies in the 1970s and 1980s was that you never knew what you were going to get when you tuned in: was it going to be light-hearted entertainment or tales from the darkside? There was nothing worse than sitting on the couch, ready for 30 minutes of laughs, and instead being served a smorgasbord of human suffering.
In their lust for an Emmy, sitcom writers got it into their heads that there just had to be “special episodes”. With these stories, the comedy came to a screeching halt in favor of some of the most brutal narratives imaginable. What made it so nefarious is that these shows generally were fun and silly…. then they turned on a dime, delivering terrifying accounts of sodomy and molestation. You never knew what you were going to get, so you were unprepared for the nightmare unfolding before you.
I’ll begin with the most infamous example of them all….
1. Diff’rent Strokes
“The Bicycle Man” Parts 1 and 2 (1983)
Season 5, Episodes 16 and 17
FLASHBACK to 30/09/1987: BBC Radio One Breakfast Show DJ Mike Smith (right) is joined by former presenters of the early-morning slot as the network celebrates its 20th anniversary. From left: Dave Lee Travis, Noel Edmonds, Tony Blackburn and Mike Read.
What happened next?
UPON the success of Scooby Doo, a flood of imitations appeared on television screens, all containing the same basic template. This wouldn’t be worth talking about if the formula wasn’t Xeroxed with such wild abandon. It truly is awesome to behold the number of times it was used and reused, with only minimal variation. Those in the business called the formula: “Three Kids and a Nyah Nyah”. Basically, what this means is you have three principle characters each fulfilling a certain trope and a gimmicky creature. Here it is broken down:
The Stud – the beefy, alpha male of the group
ON Tuesday, February 25, Monsters: The Complete Series will be released on DVD. For those who may not remember it, Monsters (1984 – 1988) was Laurel’s second TV horror anthology after Tales from the Darkside (1984 – 1988), and - much like its more well-known predecessor - it was crafted on an extremely low-budget.
In fact, the joke about Tales from the Darkside in the eighties was that its special effects were crafted for $188.00 per episode.
‘SOMEONE has obviously interfered with Lori…”
HERE’S a video of real members of the US Congress saying Frank Underwood’s lines from House of Cards. Kevin Spacey’s character – a delicious US rendering of Ian Richardson’s Bafta Winning performance as Tory politician Francis Ewan Urquhart – epitomises the venal, self-serving, charismatic, survivalist politico.
THIS year marks the 30th anniversary of Teenage Mutant Ninja Turtles, and whatever misgivings people might have about the new Michael Bay-produced movie it’ll be massive. We might find ourselves entering another golden age of Teenage Mutant Giant Ripoffs, like when the original cartoon (1987-1996) inspired a whole load of other shows that took the formula of a group of merchandise-friendly anthropomorphized animals with a tendency towards violence and ran with it. Some of the ripoffs were alright, some of the ripoffs were terrible, but none of them are being made into a giant-ass Michael Bay film, and none of them had nunchuks, so the Turtles win. Here are ten of our “favourite” TMNT clones.
BUCKY O’HARE AND THE TOAD WARS (1991)
MUTANT TURTLE SUBSTITUTES: A multi-species spaceship crew
Despite being based on a comic created before TMNT (although published after it), there’s no way anyone would have funded a Bucky O’Hare cartoon without the huge success of the Turtles. As well as the eponymous green pilot hare there was Jenny the cat pilot, Deadeye Duck the one-eyed gunner, Bruiser the baboon, Blinky the one-eyed android and human tagalong Willy. The action figures were amazing, but if you own them and are ashamed of your nerdiness, get in touch and we’ll take them off your hands…